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Switched on Pop
Vulture · Music
The making and the meaning of pop music
More from this show
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The 'bummer hope' of midwest emo (ft. Yvette Young and Mike Kinsella)
A few months ago, Nate came across a glittering guitar riff unlike anything he had ever heard before; it managed to perfectly balance careful optimism with plaintive melancholy, stirring the spirit. That melody, played by guitarist Yvette Young, was a shining example of the “midwest emo” sound, a genre pioneered by…
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The rise of surrealist pop: KATSEYE and ADÉLA
The music of global girl group KATSEYE might be confusing on first listen. A less-generous read might consider their songs to be rudimentary: the lyrics are mostly nonsense, the instrumentals evoke lesser 2010s pop songs, and the aesthetic can’t decide whether it’s targeted to children or adults. However, maybe the…
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Why we need bad music
For the 500th(!) episode of Switched on Pop, Charlie and Nate try to answer the question that has stumped critics and philosophers since the dawn of sound: does bad music exist? Their quest to answer something so nebulous leads them through the annals of taste, and in the process, they recruit several other critics…
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Has Taylor Swift jumped the shark?
One year after the release of her twelfth studio album The Life of a Showgirl, Taylor Swift is back with an encore. Specifically, The Encore, four tracks that have polarized critics and Swifties alike, from the country-esque number one hit “Patient Zero” to her ode to married Ohioan bliss, “Cleveland!” For some, the…
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Carly Rae Jepsen’s pop pedagogy
Five years after her first appearance on Switched on Pop, Carly Rae Jepsen returns to the podcast to talk all things Day and Night, her latest album. Born out of Swedish disco, big emotion, and substantive life change – including becoming a wife and a mother – the double album is a tour through the organic and the…
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Tove Lo wants her music to sound out of control (ft. Tove Lo)
Swedish singer-songwriter Tove Lo’s new album ESTRUS can be summarized in the opening lyrics of the album’s closing track, “source of life”: “Feral, fragile, numb, ecstatic / sad, euphoric, catatonic / Horny, repulsed, proud and shameful / Good, demonic, contradictions.” A songwriter with a string of multi-platinum…
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Lizzy McAlpine summons Nick Drake & Joni Mitchell
Lizzy McAlpine opens up about her 4th album Angel alongside collaborators Mason Stoops and Taylor Mackall. Recorded live at Power Station at Berklee NYC. Songs Discussed Lizzy McAlpine "Anybody's Fool" Lizzy McAlpine "A Car Wash and a New Pair of Pants" Nick Drake "One of These Things First" Lizzy McAlpine "Two…
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The power of singing together (ft. Tiny Habits)
Throughout pop history, groups from The Ink Spots to the Beach Boys to Fleetwood Mac all forged their sound in the alchemy of vocal harmonies, harnessing the magic that happens when different voices join as one. Then suddenly, right around the 1980s, vocal harmonies started to wane in pop. Whether it was Michael…
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Questionably Country
For the first time in history, five country songs were at the top of the Billboard Hot 100. Ella Langley, Morgan Wallen, Taylor Swift and Stella Lefty all have songs that range from two-stepping hits to borderline Americana: what do these songs say about the state of country music? CREDITS Reanna Cruz: Producer Iris…
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Phoebe Bridgers opens her Moleskine
Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments touching on love, death, and guitars quite like Phoebe Bridgers. Her new album Lost Weekend isn’t just throwing the pages of her personal life into song, it’s much more than that: A beguiling, hyper-compositional…
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We have Confessions to make...
Madonna has returned this summer with Confessions II: an album full of huge hooks, pounding bass, and sincere emotion. It’s the queen of pop's first record in seven years, and serves as a sequel to her 2005 smash hit, Confessions on a Dance Floor. The record ties together threads that have existed throughout Madonna’s…
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A piano lesson that will change how you listen (ft. Lang Lang)
For many people – including Charlie and Nate – studying classical piano as a child always felt like a chore. Now, as adults, there’s a newfound appreciation for classical music, but the art form isn’t always accessible. One of the people trying to change that is the world-renowned pianist Lang Lang, classical piano’s…
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IV. Take It to the Bridge (ft. Tayla Parx)
Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the whole meaning of a song by introducing a note of doubt, or even defiance. This is what the best artists do, from Beyoncé…
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III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)
The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon B-Real of Cypress Hill help Charlie and Nate answer the question on their minds: when everything's a hook, is anything…
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II. Justice for the verse (ft. Audrey Hobert)
Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert shares her philosophy of specific verses and anthemic choruses: you can't have the payoff without the setup. CREDITS…
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I. Let's get it started (ft. Aaron Dessner)
Research says you judge a song in under half a second. So why write an intro at all? On this episode of Switched on Pop, Charlie and Nate kick off their Netflix launch and probe what an intro means in today's musical landscape, alongside special guests like Aaron Dessner (Taylor Swift, The National, Gracie Adams), who…
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Switched On Pop on Netflix July 14th
We're coming to the big screen with a four part mini series starting July 14th. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Music only the World Cup could make
The quadrennial soccer (or fútbol, depending who you talk to) competition is upon us again: it's the FIFA World Cup! And while the World Cup is a sporting event, it's still relevant to the folks at Switched On Pop, because every four years a new crop of songs gets commissioned to drum up excitement for the games. This…
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Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI
In case you missed it: How does a country of 10 million people dominate the global pop charts? From ABBA's Eurovision breakthrough to Max Martin's methodical hit-making, Sweden has quietly engineered a kind of musical Stockholm Syndrome: we've all become captives to their sound without realizing it. Listen to the…
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2hollis is the underground’s genre-hopping vampire
In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating an aura best described as “vampiric,” he’s been one of the most hyped musicians coming out of the underground. His…
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Pop music for an internet-pilled generation
This week on Switched On Pop, we’re looking at all things feral pop, the microgenre that takes pop music to its most wild extremes. And no feral pop artist is more tapped into that ethos than underscores. Her music synthesizes dubstep, trance, and Timbaland with ease, and her latest album ‘U’ is filled with boundless…
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The new wave of pop is here, and it’s feral
What would it sound like if pop music was reverted to its most wild state of being? It would sound hyper-digital, influenced by the electronic vanguard of the 2010s, and speak to a post-genre audience. And while the charts have been stagnant, Gen-Z has been crafting this exact sound: one that is exciting…
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Olivia Rodrigo has The Cure for sadness
Olivia Rodrigo is back with her third studio album, you seem pretty sad for a girl in love. As the title might suggest, it’s a deeply personal affair, with moody soundscapes supporting hyper-detailed lyrics of soul-wrenching depth. This album is a meditation on desire, and intriguingly, the letdown that can occur when…
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Paul McCartney went back to Liverpool for something new to say
Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's tone. Harmonic instability runs through the entire record: chromatic mediants…
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How a sci-fi dystopia became a personal utopia (ft. Arc Iris)
A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that shares its name. In its world, AI has…
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Why bands give us purpose (ft. MUNA)
A culture that rewards easily consumable individual identities produces plenty of pop stars and almost no bands. A significant exception: MUNA, the trio of Katie Gavin, Josette Maskin, and Naomi McPherson. MUNA treats the band as a structure that grounds identity beyond the ego and makes any success feel shared among…
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Drake's Slop Era
Canada’s favorite export Drake is back! This month, the Toronto singer-rapper extraordinaire released three albums simultaneously: the long-anticipated return to form Iceman, the sultry, R&B Habibti and the pop-focused, clubby Maid of Honour. All three albums have much different vibes, and are Drake’s first official…
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Kacey Musgraves walks country’s borderlands
Kacey Musgraves' album Middle of Nowhere finds the country outlaw taking a break from exploring her inner life to look outward, back to her roots: the regional stylings of Texas. She says the album was inspired by a sign in her hometown that read “Golden, TX: Somewhere in the middle of nowhere.” The album’s sounds…
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Rostam reimagines American music
The pedal steel and the saz both live in the spaces between equal-tempered notes, and that gap is where Rostam built American Stories. Rostam joined Vampire Weekend at Columbia in 2006, produced the band's first three albums, and after leaving in 2016 made records with Clairo and Haim you can identify as his within a…
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Eurovision is back – but not without controversy
The flowers are blooming and the calendar says May. That can only mean one thing: the Eurovision Song Contest is upon us once again. This year, thirty-five countries face off to determine the best song that Europe and adjacent continents have to offer. However, the competition comes with a big asterisk: while…
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