After receiving the category commission, Nobel Prize artists learn who the year’s awardees are at the same time as the general public. From there, they have just a few weeks to determine how best to represent what are oftentimes extremely complex or nuanced accomplishments.
The incoming director arrives from the Oklahoma City Museum of Art, where he added important works to the collection and built relationships focused on inclusivity and accessibility. He inherits the Portland Art Museum's newly opened $111 million Rothko Pavilion, along with a film program, PAM CUT…
The critic and CCS Bard lecturer has sent proxies, collaborators and even a namesake doppelganger to biennials and other cultural events, turning the art world's jet-set habits into a research project on climate, privilege and refusal.
Strong opening-day sales across the fair's 99 booths, from emerging talent priced in the low thousands to established names approaching $100,000, suggest a buyer base deeper than many outsiders expected.
Corporate art collections and cultural programs are widespread, but their impact remains inconsistently measured and reported. A new Deloitte framework links cultural investment to ESG strategy without reducing it to a single metric.
Economist Jane Liu, Ph.D. examines what the return of 7 percent mortgage rates reveals about the broader economy. Liu looks beyond housing to explore how persistent inflation and higher interest rates are reshaping investment, capital allocation and the way economists measure money.
The Paramount CEO is inheriting the profitable streaming business David Zaslav spent years building, along with a debt sale that left bond investors nursing losses.
Built to be serviced and handed down, fine timepieces already have an environmental advantage over other accessories, but these particular watches from ID Genève, Citizen, Chopard, Oris and Ulysse Nardin pair specific environmental commitments with serious horological credentials.